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The lounge-style interior features jewel-hued furnishings, a marble-topped bar and poignant photographic reminders of Fitzgerald’s life. There are subtle design references to New Orleans, the birthplace of jazz, such as the bar’s fleur-de-lis logo. Part of The Trilogy multi-genre music hub in Pottinger Street’s H Code in Central on Hong Kong Island, alongside Keyz nightclub and rooftop bar Wav, Ella pays homage to jazz great Ella Fitzgerald. For those interested in vintage style and design, the Vintera line includes both a 60s and 70s variation of the classic Fender bass. Impeccable acoustics and a packed concert calendar, which is what you’ll find at this supper club at the top of Mullholland Drive in Bel Air.
Utah Jazz capitalize on Stanley craze to create limited edition cup - ABC4.com
Utah Jazz capitalize on Stanley craze to create limited edition cup.
Posted: Wed, 31 Jan 2024 08:00:00 GMT [source]
You never know which creations will earn a spot in design history
Designed by trumpeter, producer, composer and jazz executive Herb Alpert, this classy joint hosts stellar concerts nearly every night of the week. The ceilings are high here and the price of dinner is, too—in addition to a cover that hovers around $30 apiece—but if you’re looking for a romantic place with fancy food and thoughtful entertainment, Vibrato is your spot. If you don’t already think Pouring with Heart’s revamp of Cole’s turned the French-dip destination into one of Downtown’s best watering holes, you clearly haven’t checked out the Varnish, Cole’s very own speakeasy.
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For bassist looking for a more contemporary take, Squire offers the Contemporary Jazz with a slimmer neck, Active Jazz with powered EQ, and HH humbucking models. The Greasebucket tone circuit also allows you to take out some of the high frequencies that you might not want, without muddying your existing tone, or adding more bass frequencies. The neck features Epiphone’s Slim Taper profile so will suit those that prefer a slightly thinner neck. There’s also a Bigsby licensed tailpiece and wire handle for adding subtle vibrato, whilst keeping a classy aesthetic. As Coleman discusses his alchemy of jazz and funk, the piano player occasionally tinkers with one of his keyboards.
Meet The Next Jazz Legacy Class Of Women And Non-Binary Jazz Stars
Gina, Stephanie, and the people of the internet might not agree on the details, but we can all agree on one thing — no one expected a teal and purple doodle on a paper cup to be a hot topic of conversation decades after its creation. All this controversy led to internet sleuthing and caught the attention of a few investigative journalists. Unfortunately, since the design changed hands from Sweetheart Cup Company to Solo Cup Company and then again to Dart Container Corporation in 2012, the history is murky. Dart Container Corporation explained that most historical information has been lost, but their best assumption is that Gina is the original creator. Both Stephanie and Gina claim that they created the design for an internal contest at their respective companies. However, Stephanie is adamant that her design came first and speculates that it was stolen, brought to Sweetheart Cup Company, and traced or adapted by Gina.
But Stephanie holds strong with her story, adding that the original design was created with paint, not charcoal — pointing to a teal-crusted paintbrush she still has to back up her claim. The winning design — then simply called “jazz” — used only two colors and was intentionally messy. This allowed the printers to move quickly without worrying about the crispness of the image or whether or not the crayon-like squiggles aligned.
Catalina Jazz Club
Currently, she serves as the Artist in Residence at the Louis Armstrong Museum, where she has spent the last year crafting new work inspired by Armstrong's extensive archive. “There is still a sense of post-pandemic celebration, but people aren’t spending as much as they once did. They want authenticity and to be introduced to new cultures, but not at a high price,” says Ludhani, who was instrumental in the design of Ella, which opened in February.
When I began studying this topic, I already had a sense that the era of classic jazz album art is part of the Modern period of art and design. I have since learned that this period stretches back as far as the late 19th century, and though the Postmodern period can be said to have begun decades ago, one can argue that we are still in the Modern period today. When I first began my research, I quickly realized that there were many European schools to study. I started reading articles addressing the Constructivist, De Stijl, and Bauhaus schools (all of which I will address more later), and I started seeing similarities between these schools and the classic jazz album art I love. But it wasn’t until I arrived at Swiss Style that I felt I had truly pinpointed the key source of inspiration for Modern American jazz album cover design. Modern ideas show up from time to time during this period, but the label’s main graphic designers, Paul Bacon and John Hermansader, were mostly working in the Early Modern style.
The combination of the all-mahogany body construction and 58/15 ’S’ pickups leads to a great jazz tone. The pickups are nice and clear, and are inspired by those all-hallowed PAFs meaning it can handle blues and rock too. If you’re looking for a straight up, pro-level jazz guitar with a few modern appointments, then the Ibanez AF2000 is hard to beat.
Ekiss’s close friends and family weren’t aware of her viral creation before the article came out. The designer printed the charcoal strokes plainly, on white, because they were finely grained and would lose detail in the high-speed printing process. The Swiss Style, which I began defining in a bulleted list above, developed concurrently with the neighboring Bauhaus movement, though its development continued beyond the closing of the Bauhaus school in 1933.
Yeah, you know what we're talking about -- that purple and turquoise pattern that hits you with giant pangs of nostalgia. Recently, an AMA request came in from a Reddit user who wanted to know who the designer was. That pushed reporter Thomas Gounley of Missouri's Springfield News-Leader to do some digging. Always popular as a style for event and wedding stationery, Art Deco has been rediscovered and reinterpreted in other mediums by a range of designers and artists.
That development persisted well into the 1950s and spread to many other areas of the globe including the United States. As you will see in the examples below, Lissitsky favored bold fonts and geometric shapes, and his minimalist outlook is evidenced by the smaller numbers of objects on each page. Elaborate decorations are completely absent, and Lissitsky’s work thus stands as an early example of the “form follows function” philosophy of Modern design, which aims to let the purpose of the work dictate what components are used. The hope is then to eliminate unnecessary clutter that may have otherwise resulted in a reversal of the two values.
The album is yet another departure for Carmen, offering her fans a stripped down, intimate portrait of the artist they have grown to love. Carmen Bradford returned to her big band roots with her new 2008 release, “Sherrie Maricle & The DIVA Jazz Orchestra,” featured on Live From Jazz At Lincoln Center’s Dizzy’s Club. Carmen’s 2015 release, titled John Mills “Invisible Design” Featuring Carmen Bradford is another example of Carmen Bradford’s ability to sing all forms of jazz, be it straight ahead jazz, blues or jazz fusion, and swing it like nobody can. Born in Japan and raised in California, she grew up in a community of musicians.
He even began to omit photos entirely, trusting in his skill with typography. Jazz was defined by the innovation of its artists, and Miles´ album covers were no different. There’s always had a steady underground jazz movement across the city, but lately there’s been a resurgence with enough regular performances to fill up a calendar fast. There are ranges of styles and locales to choose from, including comfortable lounge nights in hotel bars and experimental nights in intimate clubs.
Josef Albers, who would emigrate to the U.S. after the Bauhaus closed in 1933, made extensive use of geometry in his work. Beginning as a professor at Black Mountain College in North Carolina, he would later land a position at Yale in 1950. Albers’ connection to jazz album art is further evidenced by his work designing album covers for American record label Command in 1959. What is it about this particular style of jazz album art design that, like Ivy League style, makes it so durable over the years? If I had to pin it down to one major theme, I would argue that it is the understated simplicity of the style that allows it to thrive decade after decade. One of the most ubiquitous guitars in blues and rock is also one of the best guitars for jazz.
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